Manipulation In Othello And Dr. Faustus Essay -- essays research paper

The blind of deceptionThe art of deception many times changes the current conditions or plays a monumental role in the end result of literary works. In Ot nut houseo and The sad History ofDr. Faustus shows how deception changes the identity of individuals and the outcome ofcertain events. There is a juxtaposition between the characters of Iago and Faustus, whomuse their military personnel autonomy to manipulate the chronological succession of events in each work. Bydeceiving themselves or the characters around them there becomes an inviolable play on wrangling and actions, wherein the identity and outcome is strengthened or lost.Iago wishes to be Othello and this becomes apparent in his discussion regardingCassio promotion, his social status, and his take in identity. Iago seems to denounce himself,by privation he were Othello and by doing so he nearly believes he is Othello. Shakespearestates Were I the fasten I would non be Iago, begins Iago abolishing his own identify to fulfill his desires to be another person (line 58). Stephen Greenblatt discusses the possiblemeanings of Iago role-playing shortly in Act 1 and states Were I the Moor, I would not be Iago, because The I always loves itselfand the creature I know as Iago hates the Moor he serves or, alternatively,because of the Moor I would be other than I am now, free of tormentingappetite and revulsion that characterize the servants sexual relation to his masterand that constitutes my identify as Iago. (235-36)Iago appears to manipulate his own thoughts regarding Othello and by doing so itdirects him as to what identity he holds. By imaging himself as Othello he is able to see theopposing outcomes of himself in regards to Othello, therefore he trace his ownidentity by furthering his manipulation.Iago deception is furthered in his conversation with Roderigo and states but Iwill wear my heart upon my sleeve/For daws to peck at, I am not what I am, showinghes not what he appears to be ( line 65-66 ). Iagos l... ...eatrical illusions shaped by human subjects and thosesubjects are themselves fictions, fashioned to reiterate acts of self-naming (218-219).Faustus palpates his faults in his deception and states All barbarian are happy, for when theydie/Their souls are soon dissolved in elements, hardly mine must live still to be plagued inhell, thus determining his illusion did not bring true blessedness (lines 165-7).Within Othello and The Tragical History of Dr. Faustus shows were thecharacters while playing on words and actions have dedicated themselves to play a majorrole in the outcome. Iago was very consumed in the idea of revenge and wishing to be of high status, but his involvement made him a subject to the surrendering that is includedin his invention. Faustus too is very consumed in the idea of forgetting his own worldand wishing to be of higher power, but it is the very thing that steals away his existenceand desire to be in control. Each character while manipulat ing the events in the works,have deceived not only the other character, but themselves and their quest to find the self.